In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot to visit his ailing friend, film critic and historian Lotte Eisner. During this monumental odyssey through a seemingly endless blizzard, Herzog docu
Werner Herzog (Grizzly Man) is one of the most revered and enigmatic filmmakers of our time, and Fitzcarraldo is one of his most honored and admired films. More than just Herzog’s journal of the making of the monumental, problematical motion picture,