Original 3 Volumes: Kransen ('20), Husfrue ('21) & Korset ('22). In Kristin Lavransdatter (1920-22), Sigrid Undset interweaves political, social & religious history with the daily aspects of family life to create a colorful, richly detailed tapest
In her great historical epic Kristin Lavransdatter, set in fourteenth-century Norway, Nobel laureate Sigrid Undset tells the life story of one passionate and headstrong woman. Painting a richly detailed backdrop, Undset immerses readers in the day-to-day
Kristin Lavransdatter interweaves political, social, and religious history with the daily aspects of family life to create a colorful, richly detailed tapestry of Norway during the fourteenth-century. The trilogy, however, is more than a journey into the
Originally published in Norwegian in 1920 and set in fourteenth-century Norway, The Wreath chronicles the courtship of a headstrong and passionate young woman and a dangerously charming and impetuous man. Undset re-creates the historical backdrop in vivid
When Jenny was published in 1911, Undset found herself called immoral — “this is a side of the free, artistic life that the vast majority of citizens would rather not know.” The novel tells the story of Jenny Winge, a talented Norwegian painter who
Set in Norway and Iceland at the beginning of the eleventh century, this is the story of the beautiful, spoiled Vigdis Gunnarsdatter, who is casually raped by the man she had wanted to love. A woman of courage and intelligence, Vigdis is toughened by adve
Powerfully written and filled with magnificent vignettes of the daily life of a medieval estate, 'The Son Avenger' suggests a Greek tragedy whose vision of fate coexists with a Christian sense of suffering and forgiveness. And in the somber, twilight figu
It is Norway in the thirteenth century, a land rent by unremitting warfare and feebly lit by Christianity. Olav Audunsson was once an outlaw; now he is a man of wealth and stature. But he is haunted by the memory of crimes for which there is no easy atone
“I have been unfaithful to my husband.” Marta Oulie’s opening line scandalized Norwegian readers in 1907. And yet, Sigrid Undset had a gift for depicting modern women “sympathetically but with merciless truthfulness,” as the Swedish Academy note
