On their last roll of the dice, the Losers came out ahead and put a major dent in the illegal cashflow of their former employer, the C.I.A. But to stay ahead, they've got to keep pushing their luck—and that means tracking down Max, the ghost-like C.I.A.
Picking up where BATMAN: NO MAN'S LAND VOLUME 5 left off, this trade paperback begins the rebirth of Gotham City. Once again sanctioned by the government, Gotham finds itself on the brink of a civil war between the OG's, those that stayed in Gotham when i
Conrad Paulson lives a secret double life as master thief Redmond. There is nothing he can’t steal, nothing he can’t have...except for the life he left behind. Now it’s go time for his Venice heist — and THIEF OF THIEVES’ most EXPLOSIVE story ar
Conrad Paulson lives a secret double life as master thief Redmond. There is nothing he can't steal, nothing he can't have... except for the life he left behind. But when his big heist doesn't go as planned, the aftermath shows that every action has an equ
Conrad Paulson lives a secret double life as master thief Redmond. There is nothing he can't steal, nothing he can't have... except for the life he left behind. Now, with a grown son he hardly knows, and an ex-wife he never stopped loving, Conrad must try
Conrad Paulson lives a secret double life as master thief Redmond. There is nothing he can't steal, nothing he can't have... except for the life he left behind. Now with a grown son he hardly knows, and an ex-wife he never stopped loving, Conrad must try
A lot can change in ten years. And rarely for the better. Local legend, Luke Cage, invincible, unstoppable, unflappable, finds that out the hard way when he returns to the mean streets of Prohibition-era Harlem after a ten-year stretch in Riker's Island.
With all his allegiances wiped away by the mistakes he's made, embedded journalist Matty Roth watches as the Free States of America and the US wage civil war on the island of Manhattan - also known as the DMZ. As Matty covers the battles on the ground, ol
Noir is just as powerful in comics as it is in films: dark angles, shadowy, high contrast images, moody lighting, an anti-hero that struggles with moral conflicts: all these elements work to create a somber, dark tone. In How to Draw Crime Noir, Martinbro
