“ Be like the sun for grace and mercy. Be like the night to cover others' faults. Be like running water for generosity. Be like death for rage and anger. Be like the Earth for modesty. Appear as you are. Be as you appear. ” ― Rumi
The story behind this novel by one of twentieth-century Britain's greatest poets and men of letters is nearly as remarkable as the book itself. Not long ago, a friend just returned from America told the author that he had read in the Spender manuscript co
The God That Failed is a classic work and crucial document of the Cold War that brings together essays by six of the most important writers of the twentieth century on their conversion to and subsequent disillusionment with communism. In describing their
In this work 40 leading writers explain what first made them interested in reading. They describe the comics and childhood classics that first inspired them to read, and what today continues to do so. Contributors include Catherine Cookson, Jeanette Winte
Of all Russian writers Leo Tolstoy is probably the best known to the Western world, largely because of War and Peace, his epic in prose, and Anna Karenina, one of the most splendid novels in any language. But during his long lifetime Tolstoy also wrote
TABLE OF CONTENTS: The Captain's Daughter, The Tales of Belkin, The Shot, The Snowstorm, The Undertaker, The Postmaster, Mistress Into Maid, The Queen of Spades, Kirdjali, The Negro of Peter the Great
Pushkin’s prose tales are the foundation stones on which the great novels of Turgenev, Tolstoy, and Dostoevsky were built, but they are also brilliant and fascinating in their own right. In both prose and verse, Pushkin was one of the world’s great st
Alexander Pushkin was Russia's first true literary genius. Best known for his poetry, he also wrote sparkling prose that revealed his national culture with elegance and understated humour. Here, his gift for portraying the Russian people is fully revealed
"A.C. Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become 'real' at all" writes John Bayley in his foreword to this edition of Shakespearean Tragedy: Lectures on Hamlet, Othello, Ki
