McSweeney's 26 comes in three parts: two small, oblong books of stories by writers large and small (John Brandon, Amanda Davis, Uzodinma Iweala, and eight more), set in regions near and far (Kazakhstan, Bosnia, Spain, Arkansas), and a third book, Where to
In eleven expertly crafted stories, John Brandon gives us a stunning assortment of men and women at the edge of possibility—gamblers and psychics, wanderers and priests, all of them on the verge of finding out what they can get away with, and what they
On the top floor of a small hospital, an unlikely piano prodigy lies in a coma, attended to by his gruff, helpless father. Outside the clinic, a motley vigil assembles beneath a reluctant New Mexico winter—strangers in search of answers, a brush with th
Barthelme said that "The Novel of the Soil is dead, as are Expressionism, Impressionism, Futurism, Imagism, Vorticism, Regionalism, Realism, the Kitchen Sink School of Drama, the Theatre of the Absurd, the Theatre of Cruelty, Black Humor, and Gongorism."
There shouldn’t be a Citrus County. Teenage romance should be difficult, but not this difficult. Boys like Toby should cause trouble but not this much. The moon should glow gently over children safe in their beds. Uncles in their rockers should be kind.
Arkansas is a biting first novel full of wet T-shirt contests, illicit drugs, and cross-country road trips. There are the days: the dappled grounds, the aimless yardwork, the hours in the booth giving directions to families in SUVs. And then there are the
The way we absorb information has changed dramatically. Edison’s phonograph has been reincarnated as the iPod. Celluloid went digital. But books, for the most part, have remained the same—until now. And while music and movies have undergone an almost
