Fiction. "PINK STEAM is not kitschy, it is a culturally astute document of the real written by a master at the height of her powers"--Jennifer Moxley. The intimate secrets of Dodie Bellamy's life--sex, shoplifting, voyeurism, and writing are illuminated i
In Dodie Bellamy's imagined "sequel" to Bram Stoker's fin de siècle masterpiece Dracula, Van Helsing's plain Jane secretarial adjunct, Mina Harker, is recast as a sexual, independent woman living in San Francisco in the 1980s. The vampire Mina Ha
Fiction. Cultural Writing. Essays. A series of essays, ACADEMONIA is also an epic narrative of survival against institutional deadening and the proscriptiveness that shoots the young writer like poison darts from all sides. Here Bellamy, "explores the pri
Poetry. Prose. "CUNT-UPS is an explosion of textual sexuality that resists principles of formal ordering, is polyvalent in its voice and range, and as perverse in its sentence construction as its content. Its 'setting' is the mediated exchange itself, the
Thirty-seven writers. One rule. Each story must be told in the first person. In this nice fat collection of original stories, some of the most daring writers on the American literary scene take up that slim little word 'I' and use it to poke around the da
Borrowing its name from the notorious '60s Ed Sanders magazine, Fuck You: A Magazine of the Arts, the editors have figured a way to rehone its countercultural and frictional stance with style and aplomb. A unique and provocative anthology of lesbian writi
A paper written for "Intimate Revolt: Recognizing Liberatory Forms of Documentary and Life Writing," curated by Kass Fleisher and presented at the Modern Language Association Convention, Chicago, December 28, 2007.
While ending an affair with a Buddhist teacher, Dodie Bellamy wrote about it simultaneously on her blog. This experiment in writing in extremis explores nuances of public shame, the vagaries of desire and rage, and Bellamy's confusion over the authenticit
Poetry. Fiction. Essays. Women's Studies. FEMINAISSANCE = collectivity; feminine ecriture; the politics of writing; text and voice; the body as a site of contestation, insurgence and pleasure; race and writing; gender as performance; writing about other w
