In this volume, Adrienne Rich pursues her signature themes and takes them further: the discourse between poetry and history, interlocutions within and across gender, dialogues between poets and visual artists, human damages and dignity, and the persistenc
“If you are curious and open to the life around you, if you are troubled as to why, how and by whom political power is held and used, if you sense there must be good intellectual reasons for your unease, if your curiosity and openness drive you toward w
“We are in the presence here of a major American poet whose voice at mid-century in her own life is increasingly marked by moral passion.”—New York Times Book Review
For HarukoLittle moves on sight blinded by histories as trivial or expansive as the rain seducing light into a blurred excitementThen she opens all of one eye as accurate as longing as two hands beholden to the hunger of green leavesand rinsing them back
"Look: with all my fear I'm here with you, trying what it means, to stand fast; what it means to move." In these astonishing new poems, Adrienne Rich dares to look and to extend her poetic language as witness to the treasures—the midnight salvage—we r
With passion, critical questioning, and humor, Adrienne Rich suggests how poetry has actually been lived in the world, past and present. In this essay, which was the basis for her speech upon accepting the National Book Foundation's Medal for Distinguishe
“Jordan . . . is among the bravest of us, the most outraged. She feels for all. She is the universal poet.”—Alice Walker“Always urgent, inspiring, and demanding, Jordan’s work has left its indelible mark everywhere from Essence to The Norton Ant
"I am a poet who knows the social power of poetry, a United States citizen who knows herself irrevocably tangled in her society's hopes, arrogance, and despair," Adrienne Rich writes.The essays in Arts of the Possible search for possibilities beyond a com
![Haruko: Love Poems: [US only]](https://cdn.pdfdrive.com/assets/thumbs-pd/413326-b.jpg)
