Los Angeles has always been a place of paradisal promise and apocalyptic undercurrents. Simone de Beauvoir saw a kaleidoscopic "hall of mirrors," Aldous Huxley a "city of dreadful joy." Jack Kerouac found a "huge desert encampment," David Thomson imagined
In a Russian restaurant on Paris's Left Bank, Russian exile Golubchik alternately fascinates and horrifies a rapt audience with a wild story of collaboration, deception, and murder in the days leading up to the Russian Revolution. “Worthy to sit beside
BAAL, which renowned playwright Bertolt Brecht (1898-1956) wrote when he was in college, is the provocative story of a drunken, ruthless, womanizing poet and singer, a desperate antihero in the tradition of Villon and Rimbaud. The NEW YORK TIMES called th
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over lit
Sophocles, Hlderlin, Brecht, Malina - four major figures in the world's theatre - have all left their imprint on this remarkable dramatic text. Friedrich Hlderlin translated Sophocles into German, Brecht adapted Hlderlin, and now Judith Malina has rendere
Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was
Few authors have had such a dramatic effect as Bertolt Brecht. His work has helped to shape a generation of writers, theatergoers, and thinkers. His plays are studied worldwide as texts that changed the face of theater.The Caucasian Chalk Circle is a para
This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects
