This is the first truly representative collection of texts by Helene Cixous. The substantial pieces range broadly across her entire oeuvre, and include essays, works of fiction, lectures and drama. Arranged helpfully in chronological order, the extracts s
"You see, even after all these years, I wonder if you really loved me."Vanessa and Virginia are sisters, best friends, bitter rivals, and artistic collaborators. As children, they fight for attention from their overextended mother, their brilliant but dif
Published in this volume in English, this autobiography traces Helene Cixous's development as a writer and intellectual and serves also as an introduction to her theory and fiction. It includes an extended interview between Cixous and Calle-Gruber and a r
A collection of six essays, translated from the French, in which Cixous explores how the problematics of the sexes - viewed as a paradigm for all difference, the organizing principle behind identity and meaning - manifest and write themselves in texts.
Something of a historical event, this book combines loosely "autobiographical" texts by two of the most influential French intellectuals of our time. "Savoir," by Hélène Cixous, is a brief but densely layered account of her experience of recovered sight
In writing Le Livre de Promethea Hélène Cixous set for herself the task of bridging the immeasurable distance between love and language. She describes a love between two women in its totality, experienced as both a physical presence and a sense of infi
Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theor
Helene Cixous -- author, playwright and French feminist theorist -- is a key figure in twentieth-century literary theory. Stigmata brings together her most recent essays for the first time.Acclaimed for her intricate and challenging writing style, Cixous
Seen through the eyes of a strong-willed and perceptive young girl, Naphtalene beautifully captures the atmosphere of Baghdad in the 1940s and 1950s. Through her rich and lyrical descriptions, Alia Mamdouh vividly recreates a city of public steam baths, r
