Evolving out of the terse and violent style of the pulp magazines, noir fiction expanded over the decades into a varied, innovative and profoundly influential body of writing. The eleven novels in The Library of America’s adventurous two-volume collecti
This Library of America volume, with its companion devoted to the 1930s and 40s, presents a rich vein of modern American writing, works now being recognized for the powerful literary qualities and their unique, sometimes subversive role in shaping modern
Robert Polito recounts Thompson's relationship with his father, a disgraced Oklahoma sheriff, with the women he adored in life and murdered on the page, with alcohol, would-be censors, and Hollywood auteurs. Unrelenting and empathetic, casting light into
“David Goodis is the mystery man of hardboiled fiction.”—Geoffrey O’BrienIn Street of No Return, we meet the pathetic figure of Whitey. Once upon a time Whitey was a crooner with a million-dollar voice and a standing invitation from any woman who
Manny Farber (1917–2008) was a unique figure among American movie critics. Champion of what he called "termite art" (focused, often eccentric virtuosity as opposed to "white elephant" monumentality), master of a one-of-a-kind prose style whose jazz-like
Among the pantheon of American crime writers—those masters of noir whose powerful vernacular style and dark and subversive themes transformed American culture and writing—David Goodis was a unique figure. Born in Philadelphia, he brought a jazzy, expr
Los Angeles has always been a place of paradisal promise and apocalyptic undercurrents. Simone de Beauvoir saw a kaleidoscopic "hall of mirrors," Aldous Huxley a "city of dreadful joy." Jack Kerouac found a "huge desert encampment," David Thomson imagined
How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constant
