When Martin Nanther, Hereditary Peer in the House of Lords, is choosing the subject of his next biography, he becomes intrigued by the life of his own great-grandfather, Henry Nanther. So grateful was Queen Victoria for Henry’s services as physician to
Beyond the civilized world of Harrod's and high tea, there is a darker side to London -- a demi-monde of fog-enshrouded midnights and alleys eerily lit by gas lamps, stained with the blood of some of the most unspeakable crimes in history.This collection
Stephen Whalby loves to walk the moor. He considers it his, although he and his young wife Lyn are merely tenants in a flat nearby. But the senseless and frightening murder of a young woman invades Stephen's sense of privacy and pollutes his beloved moor
A Fatal Inversion - a classic thriller from the queen of crime Barbara Vine 'An absolute winner ... a gripping read from start to end' Daily Mail 'Brilliant. Vine has the kind of near-Victorian narrative drive ... that compels a reader to go on turning th
With consummate skill, Ruth Rendell pulls the colorful strands of this harrowing story ever tighter, increasing the tension page by page.Jock Lewis was supposed to have died in that terrible train crash at Paddington. Minty, his girlfriend, received a let
Jenny's marriage is loveless, and she is having an affair. She works at an old people's home, where she is especially fond of Stella, a gracious, dignified woman dying of cancer - whose own secrets parallel Jenny's - with the difference that she may have
A collection of mystery stories by noted female authors includes contributions by Amanda Cross, Mary Higgins Clark, Dorothy Salisbury Davis, Antonia Fraser, Sara Paretsky, Ruth Rendell, and Joan Hess.
King Solomon's magic carpet is the London Underground, running past the disused old school building that houses the most ill-assorted covey that Vine (Ruth Rendell) has brought together since A Fatal Inversion for this updating of Conrad's novel of terror
“They have sent me here because of what happened on the pylon.”When Clodagh Brown writes these words at the age of nineteen, she believes that she is leaving behind the traumatic events of her youth. But Clodagh soon learns that you can never entirely
