The connections and interconnections of past and present––the realization that life is a whole continuously echoing back to the past and unfolding toward the future––were sources of the strength, renewal, and joy celebrated in H.D.'s Trilogy; and,
Bringing together Writing on the Wall composed some ten years after H.D.'s stay in Vienna, and Advent, a journal she kept at the time of her analysis there. Tribute to Freud offers a rare glimpse into the consulting room of the father of psychoanalysis. I
Of special significance are the "Uncollected and Unpublished Poems (1912-1944)," the third section of the book, written mainly in the 1930s, during H. D.'s supposed "fallow" period. As these pages reveal, she was in fact writing a great deal of important
Over 180 well-chosen Imagist gems appear in this tribute to the 20th century poetic movement that stressed precise language and individual rhythmic style. This definitive collection includes short verse published between 1913 and 1922 by Ezra Pound, D. H.
"DESTROY," H.D. had pencilled across the title page of this autobiographical novel. Although the manuscript survived, it has remained unpublished since its completion in the 1920s. Regarded by many as one of the major poets of the modernist period, H.D. c
As civilian war poetry (written under the shattering impact of World War II). Trilogy's three long poems rank with T.S. Eliot's "Four Quartets" and Ezra Pound's "Pisan Cantos." The first book of the Trilogy, "The Walls Do Not Fall," published in the midst
Selected Poems, the first selection to encompass the rich diversity of Hilda Doolittle's poetry, is both confirmation and celebration of her long-overdue inclusion in the modernist canon. With both the general reader and the student in mind, editor Louis
