Stirner's The Ego and its Own (1845) is striking in both style and content, attacking Feuerbach, Moses Hess and others to sound the death-knell of Left Hegelianism. The work also constitutes an enduring critique of liberalism and socialism from the perspe
I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil. Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publica
“A superb collection, a splendid and much-needed book. Anderson has cleared away the dross and shown us the golden roots of fantasy before it became a genre.”–Michael Moorcock, author of The Eternal ChampionMany of today’s top names in fantasy ack
William Morris was a Renaissance Man who left interesting marks across a variety of fields he was an artist, a philosopher, a politician, a utopian fantasist, and, as this wonderful tale will demonstrate, a man with the capacity for romance on an epic
Treasury of over 170 English and American sonnets by more than 70 poets, from the Renaissance to the 20th century. Shakespeare's "Shall I Compare Thee to a Summer's Day?", Milton's "On His Blindness," Wordsworth's "The World Is Too Much with Us," many mor
Poet, pattern-designer, environmentalist and maker of fine books, William Morris (1834-96) was also a committed socialist and visionary writer, obsessively concerned with the struggle to achieve a perfect society on earth. News From Nowhere, one of the mo
'Approaches' are probably more varied -- and more debated -- in the history of art than in any other branch of history, and a study of different historical approaches is becoming an increasingly important component of many student courses. In this antholo
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