Don't Go Where I Can't Follow is a tender collection of letters, photographs, and drawings Anders Nilsen has compiled in memory of his fiancee, Cheryl Weaver, who died of cancer in November 2005. It is an appreciation of the time they shared together,
The popularity of the graphic genre continues to rage, and The Best American Comics is a diverse, exciting annual selection for fans and newcomers alike. The inaugural volume includes stories culled from graphic novels, pamphlet comics, newspapers, magazi
Dogs and Water chronicles a piece of a lonely journey, without origin or destination. A young man wandering a nameless path has only a stuffed bear as a companion, which inertly endures his desperation, anger, and musings along the way. The landscape is c
Guest editor Chris Ware and series editor Anne Elizabeth Moore have sought out the best stories to create this cutting-edge collection. Contributors include Lynda Barry, R. and Aline Crumb, Kim Deitch, Gilbert Hernandez, Seth, and Art Spiegelman.
Imagine you are Poseidon at the dawn of the twenty-first century. The oceans are dying and sailors have long since stopped paying tribute. They just don’t need you anymore. What do you do? Perhaps, seeking answers, you go exploring. Maybe you end up in
In Poetry is Useless, Anders Nilsen redefines the sketchbook format, intermingling elegant, densely detailed renderings of mythical animals, short comics drawn in ink, meditations on religion, and abstract shapes and patterns. Page after page gives way un
Assembled from work done in Anders Nilsen's sketchbooks over the course of the year following the death of his fiancee in 2005, The End is a collection of short strips about loss, paralysis, waiting, and transformation. It is a concept album in different
As the Great War dragged on and its catastrophic death toll mounted, a new artistic movement found its feet in the United Kingdom. The Trench Poets, as they came to be called, were soldier-poets dispatching their verse from the front lines. Known for its
Monologues for Calculating the Density of Black Holes takes up where the artist's first volume, Monologues for the Coming Plague, left off. Like the Coming Plague, Black Holes is a creatively experimental laboratory, comprising a collection of free flowin
