A daredevil poetic achievement nominated for the National Book Critics Circle Award. . . A god isn't worthA drop of water in the hell of his goodImagination, if we can't curse Sunsets & threaten to forsake himIn his storehouse of belladonna,Tiger horn
Komunyakaa vividly evokes his childhood in Bogalusa, Louisiana, once a center of Klan activity, and later a focus of Civil Rights efforts. He portrays a child's dawning awareness of the natural and social order around him, rhythms of life in the community
Best known for Neon Vernacular, which won the Pulitzer Prize for Poetry in 1994, and for Dien Cai Dau, a collection of poems chronicling his experiences as a journalist in Vietnam, Yusef Komunyakaa has become one of America's most compelling poets. Pleasu
"Poetry encourages us to have dialogue through the observed, the felt, and the imaginary," writes editor Yusef Komunyakaa in his thought-provoking introduction to The Best American Poetry 2003. As a black child of the American South and a decorated vetera
The definitive collection of the poems of Lynda Hull, "perhaps the most intensely lyrical poet of her generation." (Mark Doty)If each of uscontains, within, humankind's totality, each possibilitythen I have been so fractured, so multiple & dazzling .
A literary time capsule from the decade that changed the world
From civil rights to free love, JFK to LSD, Woodstock to the Moonwalk, the Sixties was a time of change, political unrest, and radical experiments in the arts, sexuality, and personal ident
Best known for Neon Vernacular, which won the Pulitzer Prize for Poetry in 1994, and for Dien Cai Dau, a collection of poems chronicling his experiences as a journalist in Vietnam, Yusef Komunyakaa has become one of America's most compelling poets.
This powerful new collection of Yusef Komunyakaa's poetry delves into an age of war and conflict, both global and internal, racial and sexual. "Sweetheart, was I talking war in my sleep / again?" he asks, and the question is hardly moot: "Sometimes I hold
