"Rotten English" spans the globe to offer an overview of the best non-standard English writing of the past two centuries, with a focus on the most recent decades. During the last twelve years, half of the Man Booker awards went to novels written in non-st
Anzaldua, a Chicana native of Texas, explores in prose and poetry the murky, precarious existence of those living on the frontier between cultures and languages. Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditate
Ever since she can remember, Prietita has heard terrifying tales of la llorona — the legendary ghost woman who steals children at night. Against a background of vibrant folk paintings, Gloria Anzaldua reinterprets, in a bilingual format, one of the most
More than twenty years after the ground-breaking anthology This Bridge Called My Back called upon feminists to envision new forms of communities and practices, Gloria E. Anzald�a and AnaLouise Keating have painstakingly assembled a new collection of ove
A brave young Mexican American girl befriends a boy who has crossed the Rio Grande River from Mexico with his mother to begin a new life in the United States. Bilingual in English and Spanish.
This groundbreaking collection reflects an uncompromised definition of feminism by women of color. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the co
As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writ
Born in the Río Grande Valley of south Texas, independent scholar and creative writer Gloria Anzaldúa was an internationally acclaimed cultural theorist. As the author of Borderlands / La Frontera: The New Mestiza, Anzaldúa played a major role in shapi
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