Escrita al modo de un cuento tradicional ruso, y dotada de una comicidad, de un descaro y de una frescura inigualables, esta nouvelle, cuyo título completo podría ser traducido como Relato sobre el zurdo bizco de Tula y la pulga de acero es todo un clá
Written over the course of Leskov’s career, each story in The Enchanted Wanderer elucidates the very essence of the human condition; themes of love, despair, loneliness, and revenge are explored against the backdrop of nineteenth-century working-class R
With this posthumously published anthology--a successor to his bestselling Italian Folktales--Italo Calvino, a contemporary surveyor of the otherwordly, pays homage to twenty-six of his nineteenth-century precursors. The resulting volume is both an educat
Life and Fate is an epic tale of a country told through the fate of a single family, the Shaposhnikovs. As the battle of Stalingrad looms, Grossman's characters must work out their destinies in a world torn apart by ideological tyranny and war. Completed
People are on the move in all ten stories in this collection--coming home as in "The Return, "leaving home as in "Rubbish Wind, " traveling far away from their country as in "The Locks of Epiphan"--trying to improve their lives and those of others, search
From the reign of the Tsars in the early 19th century to the collapse of the Soviet Union and beyond, the short story has long occupied a central place in Russian culture. Included are pieces from many of the acknowledged masters of Russian literature - i
Pushkin's version of the historical novel in the style of Walter Scott, this final prose work also reflects his fascination with and research into Russian history of the 18th century. During the reign of Catherine the Great, the young Grinev sets out for
A New York Review Books OriginalThe Soviet writer Andrey Platonov saw much of his work suppressed or censored in his lifetime. In recent decades, however, these lost works have reemerged, and the eerie poetry and poignant humanity of Platonov’s vision h
Moscow in the 1930s is the consummate symbol of the Soviet paradise, a fairy-tale capital where, in Stalin's words, "life has become better, life has become merrier". In Happy Moscow Platonov exposes the gulf between this premature triumphalism and the
