New York Times op-ed columnist Frank Rich examines the trail of fictions manufactured by the Bush administration from 9/11 to Hurricane Katrina, exposing the most brilliant spin campaign ever wagedWhen America was attacked on 9/11, its citizens almost una
There is a superstition that if an emptied theater is ever left completely dark, a ghost will take up residence. To prevent this, a single "ghost light" is left burning at center stage after the audience and all of the actors and musicians have gone home.
"It's about our country, about public image, about "face,"" says David Henry Hwang about his latest work, a mock documentary that puts Hwang himself center stage as it explores both Asian identity as well as race in America. The play begins with the 1990s
Los Angeles has always been a place of paradisal promise and apocalyptic undercurrents. Simone de Beauvoir saw a kaleidoscopic "hall of mirrors," Aldous Huxley a "city of dreadful joy." Jack Kerouac found a "huge desert encampment," David Thomson imagined
Joan Didion's unblinking eye and razor-sharp perceptions of the American scene are exhibited in the essays Girl of the Golden West, In the Realm of the Fisher King, and Sentimental Journeys' from After Henry; excerpts from Salvador and Miami; and more.
In her moving and insightful new book, Joan Didion reassesses parts of her life, her work, her history and ours. A native Californian, Didion applies her scalpel-like intelligence to the state’s ethic of ruthless self-sufficiency in order to examine tha
It is where Fidel Castro raised money to overthrow Batista and where two generations of Castro's enemies have raised armies to overthrow him, so far without success. It is where the bitter opera of Cuban exile intersects with the cynicism of U.S. foreign
The novelist and essayist Elizabeth Hardwick is one of contemporary America's most brilliant writers, and Seduction and Betrayal, in which she considers the careers of women writers as well as the larger question of the presence of women in literature, is
"Terror is the given of the place." The place is El Salvador in 1982, at the ghastly height of its civil war. The writer is Joan Didion, who delivers an anatomy of that country's particular brand of terror–its mechanisms, rationales, and intimate relati
