“ This being human is a guest house. Every morning is a new arrival. A joy, a depression, a meanness, some momentary awareness comes as an unexpected visitor...Welcome and entertain them all. Treat each guest honorably. The dark thought, the shame, the malice, meet them at the door laughing, and invite them in. Be grateful for whoever comes, because each has been sent as a guide from beyond. ” ― Rumi
Bertolt Brecht is widely considered the greatest German playwright of the twentieth century, and to this day remains best known as a dramatist, the author of Mother Courage, The Threepenny Opera, and The Caucasian Chalk Circle, among so many other works.
This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects
The Threepenny Opera was Brecht's first and greatest commercial success, and it remains one of his best-loved and most-performed plays. Based on John Gay's eighteenth-century Beggar's Opera, the play is set in Victorian England's Soho but satirizes the bo
Rise and Fall of the City of Mahagonny (German: Aufstieg und Fall der Stadt Mahagonny) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the Neues Theater in Leipzig.
In this version of the story of Joan of Arc, Brecht transforms her into 'Joan Dark', a member of the 'Black Straw Hats' (a Salvation Army-like group) in twentieth century Chicago. The play charts Joan's battle with Pierpont Mauler, the unctuous owner of a
BAAL, which renowned playwright Bertolt Brecht (1898-1956) wrote when he was in college, is the provocative story of a drunken, ruthless, womanizing poet and singer, a desperate antihero in the tradition of Villon and Rimbaud. The NEW YORK TIMES called th
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over lit
Sophocles, Hlderlin, Brecht, Malina - four major figures in the world's theatre - have all left their imprint on this remarkable dramatic text. Friedrich Hlderlin translated Sophocles into German, Brecht adapted Hlderlin, and now Judith Malina has rendere
Los Angeles has always been a place of paradisal promise and apocalyptic undercurrents. Simone de Beauvoir saw a kaleidoscopic "hall of mirrors," Aldous Huxley a "city of dreadful joy." Jack Kerouac found a "huge desert encampment," David Thomson imagined
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