21 TALES FROM THE HOTTEST FEMALE WRITERSIn this must-have short-story collection, Jennifer Weiner revisits on of her Good in Bed characters (and tells the story from, ahem, his point of view), Jill A. Davis (Girl's Poker Night) offers darkly humorous take
It's New Year's Eve in the quiet English village of Lesser Swinfold, and sculptress Sam Jones has arrived to celebrate the holiday with her old friend Tom, who teaches primary school and lives in a rustic bed-and-breakfast. Sam is not in for a relaxing va
When art chick-cum-sleuth Sam Jones groggily awakens to find her wrists chained to a ceiling plank in a cockroach-infested basement, she knows that her blackout, pounding headache, and body restraints are not the results of a drunken encounter with some S
Rebecca split up wth Patrick, the love of her life, over five months ago. He's moved to New York, but she still keeps mistaking other men for him on the street, in restaurants; on the bus, everywhere; as if he were a ghost. However hard she tries, she jus
Sexy, savvy sculptor-turned-sleuth Sam Jones attracts trouble like she does men. When her sculpture Thing III is unveiled at a swank reception in the atrium of a London bank, a dead body crashes the party. From there, events take a distinctly dangerous tu
She's a bona fide man-eater. As a successful publicist specializing in the food trade, Juliet Cooper has never had any trouble meeting men; she just doesn't want them hanging around her London flat on a Sunday, asking her how she feels about her mother (
They're the bad girls readers have been waiting for. And they're the heroines of this collection of wickedly edgy new stories of hot passion and cold calculation, written by the most exciting female voices on the British and American crime scene today.
Sam Jones comes to the Big Apple to exhibit her work at a gallery featuring young British artists. Shortly after her arrival, a gallery employee is found strangled in Central Park's Strawberry Fields. Will the strawberry tattoo give away the murderer's id
Sex and death have always been connected. The French call orgasm "la petite mort" (the little death). In Shakespearean England, "to die" also meant to have an orgasm. The Victorians believed a man's climax depleted his physical strength and moral resolve
