Considered radical at the time, today Breton's ideas seem almost prescient, yet breathtaking in their passionate underlying belief in the indestructibility of life and the freedom of the human spirit. Andre Breton wrote Arcanum 17 during a trip to the Gas
This book collects together works by four "writers" on the fringes of the Dada movement in 1920's Paris. These four took the nihilism of the movement to its ultimate conclusion, their works are remnants of lives lived to the limit and then cast aside with
What Freud did for dreams, André Breton (1896–1966) does for despair: in its distortions he finds the marvelous, and through the marvelous the redemptive force of imagination. Originally published in 1932 in France, Les Vases communicants is an effort
Originally published in 1928 and augmented throughout the author's life, Surrealism and Painting is the single most important statement ever written on Surrealist art. While many pages have been devoted to visual Surrealism, this is the only book on the s
Andre Breton (1896-1966) was the founder of Surrealism and a major leader of the avante-garde movement in France following World War I. This exceptional volume brings together the most comprehensive selection of poems by Breton available in the English la
Mad Love has been acknowledged an undisputed classic of the surrealist movement since its first publication in France in 1937. Its adulation of love as both mystery and revelation places it in the most abiding of literary traditions, but its stormy histor
Best known in the United States as the mastermind of the Surrealist movement and as the author of the dream-logic fiction Nadja, André Breton has always enjoyed in Europe the additional reputation of being a brilliant poet. Bill Zavatsky’s and Zack Rog
Manifestoes of Surrealism is a book by André Breton, describing the aims, meaning, and political position of the Surrealist movement.The translators of this edition were finalists of the 1970 National Book Awards in the category of translation.
Max Ernst's early-twentieth-century collage-novel calls upon the reader to interpret captions and surrealistic illustrations—created from old picture books and journals—to create a story.
This is the first publication in English of the anthology that contains Breton's definitive statement on l'humour noir, one of the seminal concepts of Surrealism, and his provocative assessments of the writers he most admired. While some of the authors fe
