A Third Face: My Tale of Writing, Fighting, and Filmmaking

The Big Red One

Describing Sam Fuller as a cult legend and a celluloid genius would be like describing Muhammad Ali as a boxer or Jimi Hendrix as a guitar player. He was a singular American visionary, a giant of independent filmmaking, and a king of bruised-knuckle cinem

Agee on Film: Criticism and Comment on the Movies

"In my opinion, [Agee's] column is the most remarkable regular event in American journalism today."--W. H. AudenJames Agee was passionately involved with the movies throughout his life. A master of both fiction and nonfiction, he wrote about film in clean

Kubrick: The Definitive Edition

Goodfellas: Screenplay

'As far back as I can remember, I've always wanted to be a gangster.'Henry Hill grows up in the 1950s, in a Brooklyn neighbourhood where Italian-American gangsters walk tall in the streets, commanding the respect of their peers. Young Henry dreams that on

Vertigo: The Making of a Hitchcock Classic

Alfred Hitchcock's 1958 film Vertigo--in which obsessve ex-cop James Stewart pursues troubled loner Kim Novak throughout San Francisco--is one of the most dissected, discussed, and revered movies of all time. Now, for the first time, the story of this rem

A Personal Journey with Martin Scorsese Through American Movies

From one of the world's most acclaimed directors comes an absorbing and informative look at the evolution of American film and how the medium both shaped Scorsese's own artistic vision and influenced the whole of American culture. Hundreds of film stills,

On Filmmaking: An Introduction to the Craft of the Director

An invaluable analysis of the director's art and craft, from one of the most revered of all film school directors. Alexander 'Sandy' Mackendrick directed classic Ealing comedies plus a Hollywood masterpiece, Sweet Smell of Success. But after retiring from

Silent Movies: The Birth of Film and the Triumph of Movie Culture

A gorgeous, lavish history of silent movies - with more than 400 amazing images - captures the birth of film and icons like Chaplin, Garbo, Clara Bow, and Valentino. Drawing on the extraordinary collection of The Library of Congress, one of the greatest r

Scorsese

Roger Ebert wrote the first film review that director Martin Scorsese ever received—for 1967’s I Call First, later renamed Who’s That Knocking at My Door—creating a lasting bond that made him one of Scorsese’s most appreciative and perceptive co